#Ableton altiverb how to#
#Ableton altiverb for mac os x#
#Ableton altiverb update#
#Ableton altiverb pro#
#Ableton altiverb professional#

Altiverb 6 offers the most extensive set of parameters, it supports all professional plug-in formats including protools TDM on the Mac, parameter automation and surround. It uses top quality samples of real spaces to create reverb, ranging from Sydney Opera House to the cockpit of a Jumbo Jet.

#Ableton altiverb for mac os x#

Is treated with some reverb and creative distortion.Ĭ ontinue learning about synthesis and patch design with Soundfly’s exciting new course, Advanced Synths and Patch Design for Producers. Preview the course for free, and subscribe for access here.AudioEase Altiverb VST RTAS 6.1 + Full Impulse Library Īltiverb 6 is a convolution reverb plug-in for Mac OS X and Windows XP.

Has a bit of “chorus” effect on it via unisons,.

Uses the same notes as the melody you’re thinking of,.

Think of a song with an obvious vocal melody, and try to play that vocal melody using a lead synth patch. Come up with a patch that: These give the sound a little more depth and vibe. We’ve utilized two sends: one targeting Altiverb’s EMT 140 plate reverb, and the other pointing to Live’s stock Delay plug-in. Next, Redux helps give the sound even more of that fizzy ’80s retro character.Īnd finally, some space. The mix setting on Saturator allows us to create a really heavily saturated texture, then blend in just a bit of it to give the sound some teeth.

#Ableton altiverb pro#

The built-in chorus effects within Logic Pro and Ableton Live work great for this as well!įor this track, we’re using Live’s Saturator and Redux to add some creative distortion. To achieve the width of the original, we’ve utilized Soundtoys Little MicroShift - an incredible utility for widening synths, vocals, and all kinds of things in a vintage-sounding way. So let’s get close to maxing out the sustain and adjust the release to sound similar.įor the amp envelope, try a slight attack, medium decay, no sustain, and medium release.įinally, let’s treat the sound a little to give it some grit and sheen, almost like a lead vocal.

There’s not a lot of movement on the filter, just a little bit of top-end punctuation that sounds like a bit of filter decay. One other cool feature of this particular filter is the different “Drives.” Here, the sym3 sounds a little beefier in a nice way. If we switch to 12, we get that gentler roll-off. Adjusting the pulse width and tuning this oscillator an octave higher will also make a difference in the timbre that brings this more in line with the original.įor the filter, there’s a softening to the high-end, but it’s not very active. There’s a kind of Game Boy-ish hollowness to part of the sound, so if we try making this a pulse wave, it sounds mostly right. The sound is still somewhat rich, and not too thin.

#Ableton altiverb update#

Tip: If you’re working with Analog, click within the volume panel and the central display will update to show the synth’s voicing settings. To achieve this, we set the unison to four. That tips us off to some kind of unison or chorus effect.

It also sounds a little more wobbly than a single solo voice, almost like a section of violin-y trumpets. In this scenario, we set the voices to eight. We can hear those overlapping notes in the melody, so it’s likely a polyphonic synth.

#Ableton altiverb how to#

(*To learn more on how to use Ableton Live to create all types of music, check out Soundfly’s course, Intro to Music Production in Ableton Live.)Īs usual, let’s start with the voicing/global settings. They really want you to remember this melody! Patch Notesįor this patch, we’re using Ableton’s Analog - a creatively named synth bundled with Live Suite. Later in the track, it shows up in a kind of post-chorus breakdown role and gets repeated three times during the outro. In this sense, a lead is functionally just helping to dig that portion of the melody or hook a little deeper, solidifying it for the listener. Since it appears before the first verse, it’s a nod towards what’s to come later in the composition, so when we hear the chorus melody, we’re like, “Oh! I know this already!” In the case of “Blinding Lights,” the synth also performs a soloist function, but it’s specifically echoing many of the notes and rhythms of the chorus vocal melody.ĭownload: Blinding Lights Lead MIDI 85.50 BPM It can be a soloist, such as this great synth solo at 2:45 in “Night By Night” by Chromeo.